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Art to Wear 2026 · 1st runner-up

Unlearning

Two garments and an installation about how we learn to see each other as labels, and how we might unlearn it.

Role
Team head, one of five
I worked on
Concept and research, garment and accessory design, installation, electronics, modelling
Team
Aarohi, Dheerendra, Divyakshi, Farheen, Vidushi

No one is born knowing how to hate. We learn it through fear, labels and divisions. And if something is learned, it can also be unlearned.

01 · The problem

As adults, we learn to see each other as labels.

Burnout, comparison and fear of judgment in one person. Polarisation, bias and hate across a society.

Collage: a face torn open at the centre
Image: Pinterest

02 · The insight

Children don’t. They meet people with curiosity, not categories.

They express freely, trust easily, and put humanity before identity.

Collage: children pushing each other in a toy car
Image: Pinterest

03 · The question

What changes between childhood and adulthood, and can it be unlearned?

We traced it through five stages of research, from early empathy to dehumanisation and back.

Collage: a boy shouting into a megaphone of scattered images
Image: Pinterest

Evidence board

Five stages of research.

Developmental psychology, social learning, moral disengagement, and Zen.

Paper on children’s helping behaviour and empathy

01

Children as natural empaths

Article: how social learning theory works

02

Social conditioning

Paper: dehumanization, an integrative review

03

Dehumanisation emerges

Article: how social identity theory explains political polarization

04

The adult crisis

Book page: Zen Mind, Beginner’s Mind

05

Thinking like children

Concept · The Beginner’s Heart

A child’s approach is not naive. It is uncorrupted.
Collage: a face split into layered fragments
Image: Pinterest

The problem

We explored dehumanisation: reducing people to labels, stereotypes or objects. When people are seen as categories, empathy fades and harm becomes easier to justify. It isn’t inherent. It is learned, through fear, hierarchy and conditioning.

The answer

Zen calls it the Beginner’s Heart: meeting the world without preconceived notions, rigid judgments or learned hatred. Not becoming childish, but consciously unlearning conditioned perception.

Final direction

Not to the past, but to an earlier way of seeing.

The garments

Two looks, one story.

One is what we learn. The other is what we were before we learned it.

Illustration: a long navy hooded coatIllustration: the navy coat opening into white

Look 01 · Conditioned / Problem garment

The Conditioned

A heavy navy coat of patchwork, glitter seams and white fur: armour built from everything we learn to fear. Underneath, a lilac corset with a light at its heart.

Illustration: a flowing yellow organza gown with a white flower at the waist

Look 02 · Beginner’s Heart / Solution garment

The Beginner’s Heart

Yellow organza that moves like light, with resin details and a white flower at the waist. Open, soft and unguarded.

Process

Process

Research, materials, the installation and the electronics.

Thinking
Brown-paper mind map with Rewind to... at the centre

01Rewind to…Mapping where the idea could go.

Brown-paper mind map of adult problems

02Adult problemsBurnout, fear, comparison, isolation.

Brown-paper mind map of societal outcomes

03Into societyFrom one person to polarisation and violence.

Brown-paper mind map titled The Unlearning

04The UnlearningWhere the solutions began.

Materials
Fabric swatches: navy, yellow and lilac silks, black net, white fur and pearls

05Material boardNavy, yellow and lilac silks, black net, white fur, pearls.

Installation
Two of the team shaping the organza leaves on the studio floor

06Organza leavesShaping the leaves that wrap the column.

Electronics
Inside the corset: wiring and a battery pack sewn into the lining

07Inside the corsetLED strips, wiring and cells sewn into the lining.

An Arduino board, a battery holder and two servo motors

08Arduino and servosThe board and two servos behind the moving parts.

The finished lilac corset, unlit

09The corset, closedThe lilac corset worn under the coat.

The corset lit from inside by pink LED strips

10The corset, litLED strips glowing through the silk.

Art to Wear 2026

On stage

Both looks and the installation at Art to Wear 2026.

Both looks on stage against a blue screen
The model in yellow inside the opened column
The yellow gown walking forward under red and white lights
The navy coat walking in the dark
Both models walking, yellow in front
The column opening on stage in blue haze

Result · Art to Wear 2026

1st
runner-up

Two looks, one installation and a team of five.

The finalists on stage at Art to Wear 2026

Shoot

The shoot

A conceptual night shoot of both looks.

Fashion film · 30 seconds

Both models beside the column at night
Close portrait with blue crystal eye make-up and a beaded glove
Portrait in the yellow corset against a crinkled organza backdrop
The navy coat with its white fur collar lit from inside
The yellow gown standing on a rock in the dark
The lilac corset and navy coat by a lake at night
Long exposure: the navy coat with a doubled face
Long exposure: the yellow gown dissolving into light
Long exposure: the lilac corset and fur, doubled
Portrait in yellow with crystals on the face
The yellow gown, eyes closed